With the release of the latest Bond, “Spectre”, a whole bunch of internet articles listed rankings of the Bond theme songs. Sultry “Nobody Does it Better” generally wound up the #1 choice of most of these polls, followed by the classic “Goldfinger” as the #2, but then their opinions varied more greatly on the rest of the songs (Everybody seems to agree to disparage “The Man with the Golden Gun”, though). I love those two favorites, as well as other favorites like the rock-operatic “Live and Let Die”, Adele’s stupendous “Skyfall”, and guilty pleasure “You Only Live Twice”. And of course the undeniable original Monty Norman Orchestra instrumental. My personal sentimental favorite is the end credit Bond Theme from “One Her Majesty’s Secret Service”: “We Have All the Time in the World”, sung by Louis Armstrong.
Louis Armstrong – We Have All the Time in the World
Today’s blog piece is about the curious case of the two versions for “For Your Eyes Only”. Sheena Easton’s “For Your Eyes Only”, polished to a perfect 80’s sheen, is the version that graces the movie credit sequence of “For Your Eyes Only”, with Sheena Easton being the first singer of a Bond theme to be seen as well as heard during said sequence. But Blondie’s 1960’s spy movie flavored “For Your Eyes Only” was written first. And I keep coming across different versions of the story about the writing and rejection of Blondie’s “For Your Eyes Only”. Some say Blondie wrote their version in hopes of being selected by the producers. Some say the producers commissioned Blondie to write a version, but then preferred Bill Conti and Mike Leeson’s version as sung by Sheena Easton. But there is a third, more detailed theory.
Blondie – For Your Eyes Only
Sheena Easton – For Your Eyes Only
















































