The Solaris Film Festival in Helsinki, Finland has given “Prelude to a Death” the award for “Best Unproduced Script”.
“Prelude to a Death” is a feature length gothic ghost story. I have sent the screenplay to a handful of festivals that adjudicate scripts, and the response has been very positive. You can see more about that here.
Solaris Film Festival is the final festival I’d submitted the screenplay to, so far. Thank you, Helsinki. My maternal grandmother, Tynni Walo*, would be especially pleased.
*Yes, you guessed it, my grandmother was Finnish. 😉
Ian McKellen appeared on the Late Show with Stephen Colbert last night, and the whole interview is delightful and engrossing – the full video is posted below – musing on Gandalf and Magneto, Christopher Lee and Elvish tattoos, and seeing Peter Pan as a three year old; but the definite highlight comes at the end, starting at the 20 minute mark, when McKellen talks about and then performs a speech on immigrants which William Shakespeare contributed to the play “Thomas More” 400 years ago.
“Thomas More” was not produced in Shakespeare’s time. McKellen would be the first to play the title role on stage sixty years ago. In 2015 McKellen performed this same speech on a podcast, the audio of which I shared along with a copy of the text in Shakespeare’s handwriting in this blog post. For many years this would be the most widely viewed post on “Notes from a Composer”, and today still ranks in the top three.
The speech had great real world relevance ten years ago, and, sadly, resonates even more powerfully today.
As lovely as it is to hear Sir Ian recite the words on that post, in this video from the Late Show you can also watch him perform it, absolutely beautifully. Again, the Shakespeare part starts at the 20 minute mark, but really, the whole extended interview is well worth watching:
As before, I will share the text of the monologue:
MORE: Grant them removed, and grant that this your noise
Hath chid down all the majesty of England;
Imagine that you see the wretched strangers,
Their babies at their backs and their poor luggage,
Plodding tooth ports and costs for transportation,
And that you sit as kings in your desires,
Authority quite silent by your brawl,
And you in ruff of your opinions clothed;
What had you got? I’ll tell you: you had taught
How insolence and strong hand should prevail,
How order should be quelled; and by this pattern
Not one of you should live an aged man,
For other ruffians, as their fancies wrought,
With self same hand, self reasons, and self right,
Would shark on you, and men like ravenous fishes
Would feed on one another. …
O, desperate as you are,
Wash your foul minds with tears, and those same hands,
That you like rebels lift against the peace,
Lift up for peace, and your unreverent knees,
Make them your feet to kneel to be forgiven!
Tell me but this: what rebel captain,
As mutinies are incident, by his name
Can still the rout? who will obey a traitor?
Or how can well that proclamation sound,
When there is no addition but a rebel
To qualify a rebel? You’ll put down strangers,
Kill them, cut their throats, possess their houses,
And lead the majesty of law in line,
To slip him like a hound. Say now the king
(As he is clement, if th’ offender mourn)
Should so much come to short of your great trespass
As but to banish you, whether would you go?
What country, by the nature of your error,
Should give you harbor? go you to France or Flanders,
To any German province, to Spain or Portugal,
Nay, any where that not adheres to England,–
Why, you must needs be strangers: would you be pleased
Frozen Waterfalls at Dusk and Snowy Landscapes in the Snow
So the ground hogs all saw their shadow and forecast six more weeks of winter. With all the persistent cold going on far and wide, that did not come as a surprise.
So I might as well share some of the lovelier pics I took while we spent time in Vermont over New Year’s. It was especially cold up there, Below 0 Fahrenheit / minus 20s Celcius. But we still bundled up and enjoyed some outdoor delights.
Like the frozen waterfall of Waits River in Bradford.
On one sunny and extra chilly morning we took a walk near the Wells River.
The only roles they offer us in Hollywood are city stompers and jeep chasers.
Continuing the long running series and continuing to find installment titles in the Old Testament, one would think that, as a composer, I would have availed myself of “Song of Songs” sooner, no?
And then Olaf not only stole my thunder but my hat.
They are training to carry off the whole pizza pie.
While in Vermont for New Year’s Even, we were treated to a Fire-Spinning exhibition. The artist spinning the hoops, and later the whip (!) is Ethan (@vancliffe.802 on Instagram). The artist spinning the swords is Michael Moogie Kander (@SirMoogie on Instagram).
Above is my contribution to WOE – Wall of Emotions, a project created by Eva Mueller as a response to the ’24 post-election reality.
Yesterday Eva was at Maison 10 on 29th Street in Manhattan, taking photos of more subjects adding their emotions to the wall.
The flyer below describes the project and yesterday’s pop-up photo shoot and community hang:
Below is my Emotion among 5 others of the 177 created so far, to which many more would be added yesterday. Eva’s goal is to have at least 500 that can be exhibited all together in one space.
I saw the room reflected in a window at night, and something about the light play made the mirroring wavey and doubled. It looked like a near abstract oil painting to me.
I took a photo. And then flipped it. That version is at top, the original right-side-up photo is below.
Our yearly return to the Brooklyn Botanic Garden’s winter lights and sounds spectacular, this time with much more video to show more lights in motion and share more accompanying music.
That’s me in costume as Bernhardt, the grandfather, on set of the short film “Mouse”, which was shot in Bushwick last weekend. “Mouse” is a fairy tale with adult themes. Bernhardt, the grandfather, is a woodsman who lives in a secluded hut with his granddaughter Renate, who discovers a mouse/angel under the bed.
As Bernhardt I was required to speak with a thick German accent, which comes easy to me having grown up in Berlin. I also got to wear this jaunty hat, much like the prized Tiroler hat Ed acquired in Austria years ago.
Here I am in bed with Christopher Gambino, who plays Renate. Bernhardt is a kind, loving, protective Grandfather. Mostly. He also does some very wrong things.
Like I said, this is a fairy tale with adult themes. Including sexual abuse. Gender fluidity. Nazis.
Yes, “the war” and “the Nazis” stand in for what in a classic fairy tale would have been the wolf in the woods.
Christopher looks towards the crew.
Bella Thorpe-Woods as the angel/mouse being made-up by Ashley Pignataro.
Director of photography Beth Parisi and writer/director Jode Sparks. Jode wrote “Mouse” creating the roles of Renate and the angel/mouse specifically for Christopher and Bella. The role of the grandfather was cast through a traditional casting and submission and audition process that eventually led to me being cast.
I had a lovely time with the motley crew of 20something artisans.
Here is another look of me in make-up as Bernhardt, wrinkles highlighted, dark shadows under my eyes, and my woodsman’s nose reddened like Rudolph. I mention Rudolph since I am posed in front of a Peanuts Xmas shower curtain, and so this final pic also serves as another seasons’s greetings.
The Old Testament continues to inspire the current run of installment titles. Whether the current title is a comment on the quality of my captions, I will leave to you to decide.
No I will not call you polar bears! Now get back in here!
The primary slobber stain is called The Pacific, the secondary The Atlantic.
Sorry, but the offer clearly stated “Can You Eat All”, not “All You Can Eat”.
We dressed our tree. Our windows have lights. Even our trellis is dressed.
I prefer to call it a Solstice Tree.
And since this is a very Queer home, our tree angel is a vintage Billy doll.
He’s very anatomically correct, but we’ll keep his faux leather pants on.
For now.
(the dragon isn’t part of Billy, we added that ourselves…)
Over the years, as for many, family and friends have gifted us particularly precious ornaments, like our two dapperly suited reindeer pals.
Joining Billy there are more Queer-spirited hanger ons.
See them?
Of course Billy is surrounded by disco mirror balls.
As mentioned, we even have a Solstice Trellis, on which a vine I’ve kept for 36 years is happily entangled, now joined by lights, red baubles and striped candy canes.
The vintage “Gay Blade” razor advertisement clock was a gift from our closest lesbian friends.
This Monday I was in Washington DC and took some photos at the Vietnam Memorial which I will share below.
The picture above however is not one of the photos I took but a screenshot of footage I was shooting in DC for my new Poe musicabre. As previously announced (with one follow up post), I am currently working on my third Poe musicabre, following musical short film adaptations of The Tell-Tale Heart and The Pit and the Pendulum. I’ve been shooting footage for it in various locations in the USA and Europe this summer and fall. DC was my final stop on the itinerary.
As you can see, I am still choosing to be mysterious as to which Poe classic I’ve set to music and adapted for film this time. I promise a “big official reveal” is forthcoming, along with a designated page for the film, just like for its two Poe musicabre brethren.
For now we’ll be more touristy than musicabric. Here are some images of a fine autumn day at the Vietnam Memorial, followed by a few more screenshots from the footage I took: