The L.I.M.P.A. will start showing films today. Each day’s streaming program starts at 12pm London time, as will the program this Sunday that includes “The Tell-Tale Heart – a musicabre”. By my math, you can expect my musical Edgar Allan Poe adaptation to air around 4:10pm London time, 11:10 am EST. (Click here to watch.)
Public viewing of all films as they stream these next two weeks very much looks to be free!
There also appears to be a public vote involved, so please do show “The Tell-Tale Heart – a musicabre” your support when you visit L.I.M.P.A.
Pre-production efforts for the follow-up to my short film musical adaptation of ‘The Tell-Tale Heart – a musicabre” is in full gear. This week I am in the studio laying down vocal tracks for “The Pit and the Pendulum – a musicabre”. Yes, as previously announced and discussed, it’s another Edgar Allan Poe adaptation.
These first pics are from Tuesday, my first day recording. I am using the same studio, JahRockn, where I recorded my Tell-Tale vocals almost exactly two years ago. Today I go in for my fourth session. Even though “The Pit and the Pendulum -a musicabre” will be shorter than “The Tell-Tale Heart – a musicabre”, I actually have to lay down far more vocal tracks this time than before. There are some important reasons for this, which distinguish the voice work here from its predecessor in dramatic ways, and require the extra time in the studio…
As with Tell-Tale, my vocals weren’t the first sounds recorded during pre-production. In August we recorded the instrumental tracks. And the old Tell-Tale music gang is back: Robin Hasenflug, Scott Burns and Michael Gelfand playing the three cellos, again recorded and engineered by Todd Maki in Ohio. Above and below are some scree shots of my view of the proceedings hunched over my lap top with ear buds plugged in. Last time we did this, there was no need for masks and Covid tests ahead of time, of course.
“The Tell-Tale Heart – a musicabre” wins awards for Adaptation and Soundtrack (Short Film) from South African Horrorfest
The charismatic South African Horrorfest hosts Paul and Sonya posted their awards announcement video on YouTube, including a list of all the films featured in the festival and other info posted below the video.
You can also watch the video here:
I am extremely pleased and honored to see “The Tell-Tale Heart – a musicabre” singled out for not one but two awards. The first one, for adaptation (short film), is announced at the 3:30 minute mark of the video.
Paul: “It’s a musical adaptation of Edgar Allan Poe’s “The Tell-Tale Heart”.
Sonya: “And was brilliant”.
Paul: “Fantastic. Artistic”.
Sonya: “Stood out for more than just for its soundtrack. But the soundtrack was absolutely stunning.”
Paul: “And hard work went into that. We definitely appreciate that.”
At the 6 minute mark you can see “The Tell-Tale Heart – a musicabre” win the award for Best Soundtrack.
Sonya: “Our next category is the Best Soundtrack. And I think that’s quite obvious.”
Paul: “Ja, there were some very good soundtracks. And not just music but also sound design.”
Paul: “But the one that stood out, head and shoulders, was “The Tell-Tale Heart – a musicabre”.
Sonya” “Yes. Brilliant. Really enjoyed that one.”
UPDATE: Paul Blom sent me the official Awards Emblems
“The Tell-Tale Heart – a musicabre” wins a SOFIE Award
The Short Film Awards, AKA the SOFIE Awards, were held last night. Here’s the YouTube video of the complete event:
It was an elaborately produced virtual event full of filmmaker testimonials and film clips. I created a filmmaker testimonial and three clips for the event too, as requested, and will share those below.
The evening began with clips from all the nominated short films. “The Tell-Tale Heart – a musicabre’s” sneak peak comes in at the 57 second mark:
The Filmmaker testimonials followed. You can find mine at the 48 minute mark, or watch it below:
The award for Outstanding Technical Work was the first to be announced, after the testimonials had aired and after M.C. Rico E. Anderson’s opening bit (starting at the 1:14 hour mark). The nomination clip I edited for the award presentation was shown at the 1:26 hour mark:
“The Tell-Tale Heart – a musicabre” won, to my visible surprise, as you can see if you watch the YouTube video at the top of this post, starting at 1:30:30.
(I didn’t mean to tease Rico about stumbling over Stolis Hadjicharalambous’ name, but hoped to show some empathy for him being asked to sightread what is undoubtedly an eyeful and a mouthful. But I’m afraid that may have not come across while I was still on the air. Anyway, I told him so in the Zoom chat, but it was too late. A variety of interesting names would trip him up again and again. And even after getting my name right at first, he would skip past the “k” during the next award presentation.
It was a good day for “The Tell-Tale Heart – a musicabre” in England yesterday. On the heels of learning my musical Poe adaptation was made an official selection of the Lit Scares International Horror Festival of Harrogate, North Yorkshire (or might it be Horrorgate, North Yorkshire?), I got notice that my short film is also an official selection of the London International Motion Picture Awards.
Both will feature events in December. More info to come. For now, cheers!
On Saturday, November 21st, the SOFIE Awards festivities begin at: 6:00PM EST 1. The BIRTH of SOFIE…detailing how The Short Film Awards and SOFIE came to be 2. In Pursuit of SOFIE…SOFIE Nominees discuss their film journeys and the importance of short films
7:00PM EST The 6th Annual SOFIE AwardsHosted, for the third year, by award-winning actor and Emmy voter, Rico E. Anderson.
I had acquired my visa to travel to Russia with my husband and co-producer Ed Elder, and our plane tickets and air bnb in Moscow were booked, and festival director Victor Boulankin, perhaps in an effort to make sure I stick around past my screening and Q&A, hinted that I would be receiving an award at the closing ceremony, without telling me what award exactly; and then exacted a promise that I keep that bit of information to myself for now.
“For now” would end up being eight months. Thank you, Covid 19!
As posted previously, the pandemic forced the postponement of the festival. But it finally took place last weekend. I would not be able to attend, sadly (Thank you, Covid 19!), so I asked Victor Boulankin over email what award “The Tell-Tale Heart – a musicabre” would receive. He responded:
Yes. The jury sympathy awards
I will my way send it to you by post
Or next time in March if you attend
I thanked Victor and chose the post option for receiving my award. Then I asked: “The Jury Sympathy Awards? Is that the name of the award?”
I received a one word response:
I pressed on:
“I’m not sure I understand what that means in terms of an award. I wonder if something is not coming through in translation. Sympathy means feeling sorry for somebody, or having empathy, your heart goes out to them. Is the Jury feeling sympathy for the protagonist in Tell-Tale?
Is there a meaning in the original Russian name for the award that relates to the film in a way I am not understanding?”
This was the next email response:
Jury sympathy prize Sorry for my English))
At this point it occurred to me that rather than communicating with someone who spoke English as a second language, it may be I am communicating with someone using a translate app to turn my English language emails into Russian and his Russian language responses back to English before sending them back to me. That app had been helpful for me when mass emails in Russian to all festival participants wound up in my gmail Inbox. A simple click on the translate button turned those cyrillic missives into something I could understand. So far Victor and I had been conversing swimmingly over email. But it appears the subtleties involved in figuring out “Jury Sympathy Award” were beyond the translate function.
I had this mental image of the jury feeling sorry for me.
Poor kid. You tried. But this is a hot mess. Our sympathies are with you…
Victor tried to clarify:
Sympathy means sympathy
I don’t know other variant to describe
It means very good attitude of the jury
I joked that the jury having a good attitude towards me does look better than the jury feeling sorry for me.
Still, I had to get to the bottom of this:
“I’ve never heard anything like it. I’m not sure what to compare it to. Is it similar to an “Honorable Mention” prize? Or a “Special Jury Prize”? Like a special general achievement prize you give that’s separate from the “Best Picture” or “Best Actor” or “Best Screenplay” prizes?”
That question seemed to get the right operative word through the translation app. Victor resonded:
Special Jury Prize, yes
“OK. Thank you very much. And thank the jury too. Sorry I can’t be there in person to accept it.”
So there we have it. “The Tell-Tale Heart won a Special Jury Prize at the Russian International Horror Film Festival. It’s quite an honor.
Yet I will always, with special tender feelings, think of it as the Jury Sympathy Award.
Headline from the festival website: “10th ANNIVERSARY FILM FESTIVAL “DROP” HAS ENDED WITH THE AWARDING CEREMONY”, as translated by Google’s “Russian to English”.
And below: “On October 25 in the cinema “Formula Kino EUROPA” the results of the 10th anniversary film festival “Drop” were summed up. During the festival, viewers in Moscow cinemas could watch more than 20 full-length genre films and 12 blocks made up of short films. The competition program ended with the demonstration of the film “Dead December” after the awards ceremony. The event was opened with a welcoming speech by the President and General Producer of the Festival, Honored Artist of Russia Viktor Bulankin.”
From further down the same webpage:
“Also, a number of filmmakers will receive their awards in absentia due to the inability to come to the festival due to the pandemic and closed borders, namely:
1. Film “Stalag III”, directed by Jason Rogan, USA / Belarus / South Africa
2. “New Woman” film – directed by Benjamin Noah, Canada
3. Film “Ecdysis” – directed by Tomo Sigiura, Japan
4. Film “Death December” – producers Dominic Saxl, Ivo Scheloske
5. The film “The Tell-Tale Story”, directed by Danny Ashkenasi
6. The film “Mother of Chernobyl”, Alexander Shuryepov”
UPDATE 11/3 – Victor just sent me a picture of my award certificate and statuette. He elaborated that “The Tell-Tale Heart – a musicabre” received a “Special Jury Prize” for “Best Short Film”:
Time zones being what they are, the Moscow screening will actually take place 8 or 9 hours before the Long Island screening, but I will still not be able to attend both. I will be in Lindenhurst, Long Island, doing a live socially distanced Q&A.
If not for Covid, I would have been there in Moscow in person in March. But we-all-know-what interfered, and the Russian Horror festival was postponed to October, and we Americans are finding it real hard to travel to most places these days…
So, in stead of me the audience in Moscow will get to watch a little intro video the festival director asked me to send them.
Here it is:
It’s mostly a standard introduction clip, until it veers into something … different.
NYSIFF has posted all three panels on YouTube, so I can now share them here. If you have a little bit of time, you can catch me chatting about “The Tell-Tale Heart – a musicabre” on the 7 minute mark of the first video. But I talk about Tell-Tale and other things on all three panels, and you can also hear from a varying assembly of international filmmakers and their films on each panel (I believe I’m the only one who participated all three):