Tag Archives: composer

My Musicabres and Me

Extensive Interview on [re]Search My Trash Mike Haberfelner, who already posted a very nice review of my musical short film Edgar Allan poe adaptation “The Pit and the Pendulum – a musicabre” on his website [re]Search My Trash, has now … Continue reading

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“An Enjoyably Disturbing Piece of Cinema”

[re]Search My Trash Reviews “The Pit and the Pendulum – a musicabre” Mike Haberfelner from the site [re]Search My Trash has reviewed my musical Edgar Allan Poe short film adaptation “The Pit and the Pendulum – a musicabre“. Here’s an … Continue reading

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P&P – Day 2 – The Destruction of the Cello

That’s a beautiful cello, don’t you think? A little worn at the edges perhaps, but to the composer who plays it, a poor fellow who lives in a garret in 17th century Spain, this instrument is his most prized possession, … Continue reading

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A NIGHT AT THE MUSICABRE – the Art is Alive Magazine Article

Art is Alive Magazine’s Matrell Wood interviewed me a few weeks back and the article has just been published. It touches upon “The Tell-Tale Heart – a musicabre“, its companion piece-in-the-works “The Pit and the Pendulum – a musicabre” as … Continue reading

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RIVETING AND REMARKABLE

Tell-Tale Review in The Art is Alive Magazine “What sounds like a recipe for disaster turns out to be an artistic delight.” The Art is Alive Magazine has published a review of my short film “The Tell-Tale Heart – a … Continue reading

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ELEGANT PRIMITIVISM or ELEGIAC ENERGY – On the Conclusion of the Public Vote in the Carl Orff Competition

The public voting phase of the Carl Orff Competition concluded yesterday.  Now I guess the public ratings of the 115 entries are being weighted and tabulated to determine five finalists.  Five more finalists will be chosen by a select jury.  … Continue reading

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Notes on Myself

Sometimes I am asked, in applications for grants or music competitions for example, to write about myself.  It is a certain special torture to have to act as your own greatest champion in writing (or in person), but that is … Continue reading

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Composing “Divertissement in the Snow”

“You should compose a piece for the family to play at Christmas”, my husband Ed said to me a few weeks ago (actually it was November 10, I have documented evidence, I’ll get to that later, not that it really … Continue reading

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NfaC Repost and Update – Mister Danny and His Most Sung Song

Today I repost one of my first and still most popular “teaching artist” posts, featuring the Pre-K standard “We’re Singing” (well, standard in my Pre-K curriculum).  This year’s Pre-K classes at the Children’s School have taken to the tune with … Continue reading

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NfaC Repost: THE DAY I BECAME A COMPOSER

I have not yet written much about my parents on this blog so far, but this piece from last June includes one of my favorite anecdotes about my father: “My parents were always supportive of all my creative endeavors, but … Continue reading

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ORFEO – Richard Powers composes beautiful music with his words

I just finished reading Orfeo by Richard Powers.  I have never before read literature that so beautifully and evocatively captures music, describing actual works of music, conjuring imaginary works, evoking the process of composing, with such detailed brilliance and clarity … Continue reading

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THE DAY I BECAME A COMPOSER

It was Friday, April 23, 1982.  I was fourteen, one month shy of my fifteenth birthday.  I remember the day and the events that sealed my fate very clearly (although admittedly I had to dig up the old journal I’d … Continue reading

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Mister Danny and His Most Sung Song

I am a teaching artist. Which means that I freelance as a visiting music and drama teacher to conduct arts education projects in the classroom for limited time periods, usually 8-12 weeks, in schools all across the New York metropolitan … Continue reading

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THE FIRST “NOTES FROM A COMPOSER“ BLOG POST … Or Why am I doing this, really, why?

Why am I starting this blog? Did I really have this great need to share my views on the arts in general, music and theater in particular, and my own experience in creating music theater very particularly? Um, actually no, … Continue reading

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