The Last Question
I do not remember
what my father said
when we last spoke.
But my mother remembers
She was there.
In the deep quiet of the room
she sat at his bedside
their fingers entwined.
He said,
“I hear singing.”
She asked
“Is it beautiful, dear?”
But the room was empty.
B. J. Elder
January, 2012
Last Saturday Ed and I drove in a rental car through two hours of sheets of rain to Kendal at Longwood, PA, just south of Philadelphia, to attend the memorial service for Aunt BJ. We slipped into Kendal Hall just in time to join her widower, Uncle Dave, Dave’s brother and Ed’s father Joe, their siblings Mim, Alice, Louise, Dave and BJ’s daughters Renee and Jenny, grandsons, many more nephews and nieces and cousins, plus a large contingent of friends from Germantown Friends (Quakers) and Kendal Retirement Community to commemorate BJ Elder’s life in a Quaker service. The testimonials given, the pictures, mementos, and decorations (including BJ’s favorite teddy bear and preferred candies, Peppermint Patties) celebrated a wonderful woman who was pint sized in stature but great in character, humor, decency, honesty and love. Herself a much admired woman, the admiration held for her beautifully written memoir “The Oriole’s Song” also embroidered many testimonials and memories.
I was introduced to BJ and her writings that would eventually become “The Oriole’s Song” during a weekend visit to Philadelphia over 23 years ago. While Ed, Dave, BJ and other family members were leaving the house to attend Quaker Meeting, BJ handed me sheets of paper containing two short stories she had written for her writing group. She insisted I read them and tell her what I thought, as I was “an artist”. I felt a little trepidation. Ed and I had been dating for only half a year and I was meeting many of his relatives, including BJ, for the first time that weekend, and now I was being asked to read and judge her writing? What if I didn’t care for it? Already imagining devising diplomatic responses, I sat down to read in the empty house. By the time the family returned from Meeting, I was flush with the excitement of having encountered a thing of beauty.
The first short story I read dealt with BJ’s childhood in 1930’s China. Her parents worked in the Yale in China program, which relocated from the capital of Hunan province Changsha to the small hill country town of Yuanling when Japan invaded China, a war that preceded and would continue on to the end of World War II. I was struck by the clarity of BJ’s writing. How her words, like the elegant economical brushstrokes of a Chinese watercolor painting, created indelible images with precise eloquence. Her evocation of a Japanese bombing raid on Yuanling made such a strong impression on me that morning that the mental picture her words inspired has never left me. I’ll quote just a few lines from that paragraph:
“Then I heard humming, faintly at first, like the summer sound of bees around a hive. Gradually it became more sure, a droning song sustained on one note. … The drone song grew louder rapidly until it filled the whole sky and the air between the hills with malignant ecstasy. … Through the opening in the wall, I saw tiny airplanes turning in the sky over the far end of the city. Raindrops glinted under them. … Only when I was pushed down onto my stomach did I realize that those raindrops were bombs.”
BJ and I spent much of the rest of the day talking about her short stories, and how she planned writing more, vignettes that would eventually form the chapters of her memoir. She told me about her girlhood in China, her experiences of the war, of being one of the only Caucasian children in Yuanling, and feeling even more like a stranger as a teenager in the United States. She told me about returning to China in the 1970’s during the height of the Cultural Revolution with Dave and the two China born daughters they’d adopted in the 1960’s. She told me about returning again in the 1990’s, and floating high over Yuanling in a boat, now that the city of her childhood was drowned by the raised waters of the Yuan River Dam. She told me how her father was one of the last Americans left in China when the Communists took over in 1948, how he was denounced and put on trial and convicted as a spy, marked for execution.
The only formal requirement is that it must be no longer than 100 minutes duration.”
The reason I am posting this today is because when it is Spring the Bailey fountain will start gushing water again periodically. It remains resolutely dry and still in the winter. Spring has officially begun, but it is still resolutely wintery cold in Brooklyn today. Freezing cold, with blustery winds. Perhaps posting this picture will help Spring hurry along. I’ve joked that this year winter has come in like a lamb and is leaving like a lion, because it was so mild in January and February but snow storms and cold alternated discombobulatingly with warm spells in March.
In the original we see Belle and Beast dancing a waltz while Angela Lansbury sings about the tale as old as time, but the music nonetheless remains steadfast in common time, 1 2 3 4, 1 2 3 4… and the melody continues the rhythmic pattern set forth at the beginning of the song and followed through to the end, a phrase of four eighth notes followed by a longer note 
(Tale as old as time — Beauty and the Beast — da da da da daah — etc.)
An idyllic, relaxed take on snow. Not the snow storm but the cool calm snow blanketed mountain landscape afterwards. And Jake and Heath keeping warm by the fire, and keeping warm under the blankets too…
Abel Korzeniowski should have received an Academy Award for his aching string score for A Single Man, but alas he wasn’t even nominated. This track, Snow, in contrast to Santaolalla’s calm Snow, is agitated and ominous, in keeping with the snow framed nightmare vision of the deadly accident it accompanies.
Which starts with that haunting intro. And after a quick verse chorus verse chorus go around there is a quick fade out, just as the music hints at an intriguing coda. A coda that plays over Big Little Lies’ title credits, but is not included in the radio edit.
