Notes from a Composer
personal musings on music, theater and a life in the arts by Danny Ashkenasi
Skip to content
  • Home
  • Bio
  • Credits & Quotes
  • Speakeasy
  • Tell-Tale Heart
  • The Song of Job 9:11
  • TWAIN

Tag Archives: Zorikto Dorzhiev

Highlights from ART NY 2017

Posted on May 12, 2017 by dannyashkenasi

Another year, another visit to the ART NY expo.  Here are pictures of some of the works that intrigued me this year (last year’s can be seen here). Some famous names are included here among the up and comers, like … Continue reading →

Posted in Melodies Linger On, Two-fisted Touristing | Tagged Amarist, Andy Warhol, Armando Marino, ART NY, Balint Zsako, Banksy, Bjorn Skaarup, Carole Feuerman, Casper Faassen, Christian Vincent, Claudia Alvarez, Claudio Alvarez, Corvengi Mikaelian, Damien Hirst, Dashi, Elizabeth McGrath, Eran Shakine, Eric Zener, Evfrosina Lavrukhina, Fernando Botero, Fidia Falashetti, Frederico Uribe, Gil Bruvel, J. K. Rowling, Jack Tsai, Jeff Koons, Jessica Potenza, Jorge Marin, José Cabo, Julian Voss-Andreae, Justin Bower, Kaï, Kwang Ito Shin, Lady Gaga, Liechennay, Ma Dan, Marck, Metis Atash, Michael Glancy, modern art, Montse Valdes, Moto Waganari, Naoya, Nemo Jantzen, Orit Hofshi, Pablo Picasso, Peter Combe, Polles, Rivero-Cintra, Roberto Fabelo, Roy Lichtenstein, Samuel Salcedo, Sondheim, Tobias Møhl, Toledo del Rio, Tomoko Konno, Toots Zinsky, WhisBe, Zorikto Dorzhiev | 1 Comment
  • Follow me on Twitter

    My Tweets
  • CATEGORIES for all posts

    • Beginnings (47)
    • Chamber Works (20)
    • Cinema Scope (59)
    • LGBTQ Alphabet Soup (68)
    • Literary Lyricism (27)
    • Live! On Stage (58)
    • Melodies Linger On (100)
    • Musicabilia (27)
    • Notes in the News (94)
    • The Speakeasy Chronicles (77)
    • The Teaching Artist (24)
    • Two-fisted Touristing (63)
  • Archives

    • April 2018 (2)
    • March 2018 (4)
    • February 2018 (3)
    • January 2018 (5)
    • December 2017 (4)
    • November 2017 (4)
    • October 2017 (5)
    • September 2017 (3)
    • August 2017 (4)
    • July 2017 (5)
    • June 2017 (7)
    • May 2017 (4)
    • April 2017 (8)
    • March 2017 (6)
    • February 2017 (7)
    • January 2017 (8)
    • December 2016 (5)
    • November 2016 (8)
    • October 2016 (7)
    • September 2016 (6)
    • August 2016 (8)
    • July 2016 (10)
    • June 2016 (10)
    • May 2016 (6)
    • April 2016 (7)
    • March 2016 (10)
    • February 2016 (13)
    • January 2016 (10)
    • December 2015 (12)
    • November 2015 (11)
    • October 2015 (11)
    • September 2015 (8)
    • August 2015 (10)
    • July 2015 (10)
    • June 2015 (13)
    • May 2015 (9)
    • April 2015 (10)
  • Blogroll

    • Ashkenasi You Tube Channel Videos of excerpts from several of Ashkenasi’s musicals
    • Speakeasy Songs Soundcloud demo recordings of songs from the musical “Speakeasy”
  • Follow Notes from a Composer on WordPress.com
  • Notes from a Composer

    Notes from a Composer
  • “Speakeasy” Selections

  • Note-able Comments

    dannyashkenasi on ORPHEUS. EURYDIKE. HERMES…
    Jonathan Kinsler on ORPHEUS. EURYDIKE. HERMES…
    dez666 on MARCHING FOR OUR LIVES IN…
    dannyashkenasi on ORPHEUS. EURYDIKE. HERMES…
    Marian Weisberg on ORPHEUS. EURYDIKE. HERMES…
    Joann Elder on The Map Room of Madison, …
    Miriam Hilton on HAIKU NEW YORK
    dannyashkenasi on HAIKU NEW YORK
    Ellen McL on HAIKU NEW YORK
    The Map Room of Madi… on THE COW BELL CANTATA – a…
    Hi, It’s Your Mother… on QUEER SHORTS – The Fab a…
    KWadsworth on To the Woman Who Sat in Rear M…
    howlevmuso on Composing “Divertissemen…
    Desiree on Speak Low, Phoenix, Speak…
    dannyashkenasi on Speak Low, Phoenix, Speak…
  • Categories

    • Beginnings
    • Chamber Works
    • Cinema Scope
    • LGBTQ Alphabet Soup
    • Literary Lyricism
    • Live! On Stage
    • Melodies Linger On
    • Musicabilia
    • Notes in the News
    • The Speakeasy Chronicles
    • The Teaching Artist
    • Two-fisted Touristing
Notes from a Composer
Blog at WordPress.com.
Cancel