Tag Archives: Eurydike

ELEGANT PRIMITIVISM or ELEGIAC ENERGY – On the Conclusion of the Public Vote in the Carl Orff Competition

Posted on May 1, 2018 by dannyashkenasi

The public voting phase of the Carl Orff Competition concluded yesterday.  Now I guess the public ratings of the 115 entries are being weighted and tabulated to determine five finalists.  Five more finalists will be chosen by a select jury.  … Continue reading →

Posted in Chamber Works, Literary Lyricism, Notes in the News | Tagged , , , , , , , , , , , , | Leave a comment

STILLES ENTSETZEN – AWESTRUCK, AWFUL REGRET – One More Week of the Carl Orff Competition’s Public Voting

Posted on April 22, 2018 by dannyashkenasi

  “Orpheus. Eurydike. Hermes” evokes the lead-up to Orpheus’ fateful turn to glance at Eurydice, the awestruck, awful regret at that moment and its terrible aftermath. “Orpheus. Eurydike. Hermes” beginnt kurz vor den fatalen Rückblick Orpheus zur Eurydike, welches stilles … Continue reading →

Posted in Chamber Works, Literary Lyricism | Tagged , , , , , , , , , , , | Leave a comment

ORPHEUS. EURYDIKE. HERMES

Posted on March 15, 2018 by dannyashkenasi

My Entry in the Carl Orff Competition I composed a chamber work, a song in the tradition of the “Lieder” of the salon, called “Orpheus. Eurydike. Hermes”. It describes the moment in Greek mythology when Orpheus, leading his wife Eurydice … Continue reading →

Posted in Arts-a-Poppin', Chamber Works, Literary Lyricism, Notes in the News | Tagged , , , , , , , , , , , , , , , | 7 Comments