Tag Archives: Carl Orff

ELEGANT PRIMITIVISM or ELEGIAC ENERGY – On the Conclusion of the Public Vote in the Carl Orff Competition

The public voting phase of the Carl Orff Competition concluded yesterday.  Now I guess the public ratings of the 115 entries are being weighted and tabulated to determine five finalists.  Five more finalists will be chosen by a select jury.  … Continue reading

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STILLES ENTSETZEN – AWESTRUCK, AWFUL REGRET – One More Week of the Carl Orff Competition’s Public Voting

  “Orpheus. Eurydike. Hermes” evokes the lead-up to Orpheus’ fateful turn to glance at Eurydice, the awestruck, awful regret at that moment and its terrible aftermath. “Orpheus. Eurydike. Hermes” beginnt kurz vor den fatalen Rückblick Orpheus zur Eurydike, welches stilles … Continue reading

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CARL ORFF COMPETITION – Let’s Hear it for the Underdogs

  Dear Danny, Your Orpheus,  Eurydike,  Hermes​ is a brilliant,  powerful piece,  spellbinding from its first note to the final silence,  tense,  tumultuous between,  each step possessed,  pauses as loud as the notes,  the whole astounding,  overwhelming.   Orpheus. Eurydike. … Continue reading

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ORPHEUS. EURYDIKE. HERMES

My Entry in the Carl Orff Competition I composed a chamber work, a song in the tradition of the “Lieder” of the salon, called “Orpheus. Eurydike. Hermes”. It describes the moment in Greek mythology when Orpheus, leading his wife Eurydice … Continue reading

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