That bear at the top is a bit of a teaser. We’ll see him, and his bear companion, and just how close they got to us, later in the post.
Let’s start at the beginning, driving up to Denali National Park, home to Denali, heretofore known as Mount McKinley, at 6190.5 m (20,310 ft) the highest peak in North America and and third-most topographically isolated summit on Earth after Mount Everest and Aconcagua.
Our first views of Denali were from hundreds of miles away, as it rose over the horizon viewed from the south by a lake.
We were very lucky with the weather. Denali is often obscured by clouds. Only 30% of the time – or 1 out if 3 days – is the mountain visible.
The two days of our travel up to Denali and our tour in the Denali National Park were both one out of the three days.
Denali is an Athabascan word meaning “the high one”.
The Alaska Range, as seen from Talkeetna.
In case you need some orientation…
The hotel in Talkeetna where we caught the above view of Denali boasts this big grizzly.
There’s a Butte, specifically the Bodenberg Butte, in Alaska. It sits north of Anchorage in the Mat-Su Valley, and it makes for a lovely, steep hike and a really good spot on top from which to get some spectacular views of the mountain ranges, river valleys, and glaciers that surround it.
The above and below pictures show Bodenberg Butte in the foreground with Pioneer Peak towering behind.
This picture includes the Matanuska River curving in front.
Here’s a primer on how the Ice Age glaciers formed the region and the Butte.
Here’s a map detail of the region. The red marker points at Pioneer Peak. Matanuska River ambles along Route 1.
First some pics on our drive to the Butte. Byers Peak AKA Matanuska Peak is up ahead.
“The Tell-Tale Heart – a musicabre“, my musical short film Edgar Allan Poe adaptation, has been making the festival rounds since November 2019. And it’s still going strong, even though a one year to 18 month festival run is (so I’ve been told) the maximum one should expect for any short film and I have long ago stopped submitting it to festivals. But Covid 19 disrupted the 2020 festival season and in many ways has stretched it deep into 2021. Festivals postponed or cancelled, screened on-line, put on some version of in-person screenings or managed some combination of these options.
For me, long past the 18 month mark, it appears that the festival run for “The Tell-Tale Heart – a musicabre” is still ongoing, and just looking at June alone, very busy. Now there is another festival announcement to share. The Halloween Horror Picture Show will be screening Tell-Tale in August.
This will mark Tell-Tale’s third screening in Florida. And like its first Florida screening in Dunedin, back in January, 2020, before the pandemic shut-downs, it will be an in-person rather than virtual event. Interestingly, Dunedin is just a hop-skip away from Tampa, where The Halloween Horror Picture Show is located, so it might seem like a bit of a homecoming.
Except that this year The Halloween Horror Picture Show is not taking place in Tampa but will be part of Megacon Orlando August 12-15. Tell-Tale will screen Friday, August 13. Orlando is where Tell-Tale had enjoyed its second Florida film festival screening, albeit virtually, last August at the Orlando International Film Festival.
I expect I will be sharing more about Tell-Tale’s third Florida adventure when it takes place in August. For now, if you plan to be in Orlando then, keep an ear out for disemboweled hearts beating under floorboards. If they sound like cellos, they are courtesy of “The Tell-Tale Heart – a musicabre”.
presenting this June 24 – July 1 in Hollywood, CA.
The Skiptown festival was supposed to take place last fall, but, you know, Covid 19. But now it’s going forth late June, which means it’ll be an even busier festival month for my musical Edgar Allan Poe adaptation than I thought in my last post.
Meanwhile, I’m pleased to share the three nominations “The Tell-Tale Heart – a musicabre” received:
Ed and I returned to the Brooklyn Botanic Garden. It’s cherry blossom time. Last year the pandemic closed the gardens, and nobody except for BBG staff got to see the blossoms of the cherry esplanade bloom.
This year the Sakura Matsuri Festival – a weekend affair coinciding with cherry blossom season, with performances and stands and massive crowds – was again cancelled; but the gardens have been open to the public – with limits – so this year the blossoms could be enjoyed again by the public.
Ed and I got our ticket for Sunday morning, which also just happened to be our anniversary. It was an overcast sky, which makes for a less vibrant viewing of the cherry blossoms. But that will make for a different set of pictures of them, since I have already posted sunny views here and here (that last one also includes the Sakura Matsuri Festival) …
Perhaps it’s fitting that this year’s views of the cherry blossoms are not so sunny, but a more cautious burst of color in a grayer world, like a hopeful pink emerging from a long gloom…
The blossoms at the esplanade are in first bloom now. Peak bloom will likely happen by this weekend.
The cherry blossoms are of course not the only attractions this time of year. Here are some other views of the gardens than shone even if the sun didn’t.
The last trip I took before the pandemic lock downs was to the London International Filmmaker Festival in February 2020. I am happy to report that my short film musical Edgar Allan Poe adaptation (pause for breath) “The Tell-Take Heart – a musicabre” will be playing publicly, not virtually, in London again, in an actual theater with actual humans in actual seats, at the Romford Horror Independent Film Festival, taking place June 5th and 6th.
I will not be able to attend. As the festival programmer explains: “Because of the period the festival will be running in is still going to be within “social distancing protocol” we are advising that filmmakers do NOT travel in from outside the UK. We don’t want you to incur unnecessary costs, or end up being trapped here because of potential limitations that may occur, this pandemic is pretty much a “moving feast”.”
How apt for a Horror Film Festival programmer to refer to the pandemic as a “moving feast”.
So I will not be able to attend. But those of you living in London and surroundings can see “The Tell-Tale Heart – a musicabre” screening at the plum 9:20pm, Saturday, June 5th, time slot. Perhaps even with a special virtual introduction from yours truly…
That was my mother’s succinct critique of the score of my short film “The Pit and the Pendulum – a musicabre”, the follow-up to “The Tell-Tale Heart – musicabre“, and currently in pre-production.
She meant it as a compliment, by the way. In case that wasn’t clear.
Mothers are of course expected to praise their offspring’s work, but my mother wasn’t just praising to please her son. This retired opera coloratura, AKA Catherine Gayer, was genuinely enthusiastic, adding she found much of the music very scary; and she also didn’t hold back where she had criticisms.
Anyway, I got a big kick out of her saying “If there’s a hell, this is the music”. Now there’s a poster quote. Makes me want to share it with the world, so I’ll do so in this blog post.
Anyway, it’s time I tease another tidbit about my musical adaptation of Edgar Allan Poe’s The Pit and the Pendulum. I’ve already talked about the new film during several live streaming Q&A’s I did over the past year for Tell-Tale, starting with this one, among others, and made the official announcement here. A slice of the music for the film was audible in this post where I also shared this image, without explaining how it fits in with the preparations for the film:
I’ll continue to be mysterious about that for now; nonetheless today I will share something new.
I’ll share some of that hellish music.
Not much, just a taste, a peek, a touch, if one may use those words for a piece of audio.
Just one measure,
almost three seconds worth
I’ll say no more except that that measure, those three seconds, are only the beginning of not the first, nor the second, but most surely the final descent into hell …
What I enjoy most about Easter is the hiding and seeking of treats. I best like hiding and having my loved ones do the seeking.
It’s just Ed and me together today, and we haven’t made any eggs or purchased chocolate treats, but we have an odd assortment on knick knacks, old toys and gifties and souvenirs that have accumulated in our home over the years. I decided to put together a collection of some of those that I can hide in our backyard for Ed to seek.
And I thought, hey, maybe I can invite others to join the fun!
Let’s first get a lay of the land, uh, tiny Brooklyn garden…
The daffodils and hyacinths are in full bloom, the crocuses are already fading, but most of the rest of the garden is still waiting for Spring to kick in…
Okay, let’s familiarize ourselves with the items we will be seeking.
A plush dragon, a plush bear, a lion hand puppet, four plush frogs, three plastic or beanie cows, a wind-up frog, a witch figurine, and 10 strands of colorful beads.
Section 1. Eight items are hidden here…
See any of them yet?
Okay, let’s look a little closer… to the left ….
… to the right …
Okay, getting closer. Three items are hidden in this picture. One of them should be really obvious now…
Yes, that would be the lavender beads.
The second item may be more easily seen from above…
“Opera Kids” is a documentary about the Creating Original Opera program that I had taught and also helped develop with my colleagues at the Metropolitan Opera Guild Education Department since 1990. It was directed by Max Sturm, who participated in the program as a 5th grader and later as an adult returned to his old school, where the program continues, to document the process of children creating their own original opera production. From the film’s website (which is chock full of interesting info about the program worth a deeper dive):
“Opera Kids follows the journey of a fifth grade class creating an opera from scratch. Behind the scenes, the stakes could not feel higher, as students take their first collaborative steps — writing, composing, designing, staging, and acting out their own dramatic musical creation. Their hard work leads to a culminating performance and lessons for a lifetime. Simultaneously, the founding members of “Creating Original Opera” recall the program’s groundbreaking past and its legacy that continues to this day.”
Here is the trailer for “Opera Kids”:
The Creating Original Opera program was the inspiration for the First Grade Opera program I had implemented with the first grade teachers at the Brooklyn Children’s School for twenty years (but then Covid 19 put the stop to that last April). It flourished during the 1990’s as one of the most highly esteemed in-school arts programs in the country.
The film is not yet available for general viewing, but when it is released, I will let you know.
Max Sturm interviewed me for the film in 2017. Here is a screenshot from the finished film to prove that some of my three hour interview made it past the cutting room floor:
And here are two screenshots from the “Opera Kids” website listing the teaching artists / champions (many longtime colleagues and friends of mine), school teachers, founders and students featured in the making of the documentary:
That’s one of those memes or games circulating among actors in social media lately. “Show me your range” in photos, and one of its specializations “Show me your range but in hair”. And I thought, well I can do that. Having gotten headshots made February 2019 right before shooting “The Tell-Tale Heart – a musicabre”, for which I needed to be clean shaven anyway…
… giving me a bearded and clean shaven look with the same hairdo on top. I grew back my beard and my hair grew longer over several months, and in a fit of exasperation against the summer heat that July I cut my hair as short as I ever had in my life …
… which made me feel for the first time that I could play a cockney heavy if need be.
Since then I have let my hair grow… and grow … in preparation for shooting the follow-up to Tell-Tale: “The Pit and the Pendulum – a musicabre”. I took this pic several weeks ago while in a playful mood.
And these two the morning of March 27 (the hair really does half the character work here):
Over the months the hair length and attitude have passed from Fabio through Jacqueline Bisset to Farrah Fawcett and is currently reaching Veronica Lake proportions. I will keep letting it grow until we shoot “The Pit and the Pendulum – a musicabre” in June or July.
Midway through the shoot I will be shaving off my beard and long hair. Going totally baby faced and bald. For the alternate role I play in the film. This will be an even more dramatic way to show you my range but in hair.
Just down South from Hollywood, near Disneyland, the Anaheim Film Festival designated “The Tell-Tale Heart – a musicabre” a Quarter-Finalist. It will play there (virtually) April 10.
And while we’re at updating Tell-Tale tidbits, London’s Romford Film Festival accepted “The Tell-Take Heart – a musicabre” into its special Horrorhiffic festival, which plans to screen publicly early June, London’s Covid restrictions expected to be (enough) lifted by then.
The Halloween Horror Picture Show 2021 in Orlando Florida has also already announced it plans to publicly screen my short musical Poe adaptation in August.
I’d slowed down submitting “The Tell-Tale Heart – a musicabre” for festivals and awards last Spring and stopped completely by November, but with all the delays and uncertainties caused by the Covid pandemic, several festivals with submission deadlines as early as late 2019 have pushed their announcements and/or festivals far into 2021. And so the Tell-Tale festival experience is still continuing…