Tag Archives: Queer

SPEAKEASY KICKSTARTER CAMPAIGN LAUNCHED!

The Day Has Come!  We Have Launched Our Kickstarter Fundraising Campaign! CLICK HERE TO GO TO THE PROJECT PAGE!   Help bring this original, ambitious new musical onto the stage! “Speakeasy – John and Jane Allison in the Wonderland” brings … Continue reading

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SPEAKEASY – Attack of the 30 foot Incidental Music!

So many notes… so little time… The other day I had a meeting with Speakeasy‘s music director Jonathan Fox Powers.  One of those sessions where you make sure composer and music director are on the same page as it concerns … Continue reading

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DRY OUT THE NATION – SPEAKEASY, PROHIBITION and a very DRY SPEECH

By the time Jane Allison, in the musical “Speakeasy”, has walked through one door into a speakeasy foyer and through another door into an automat, she realizes that the regular rules and expectations of time and space may not apply … Continue reading

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THE NEARLY INVISIBLE BISEXUAL MALE

The director of “Speakeasy”, Lissa Moira, and I were conducting another one of our weekly meetings pouring over the script and discussing staging and production issues, when I mused aloud that in many ways “Speakeasy” is an expression of my … Continue reading

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THE SPEAKEASY GLOSSARY – Queer Slang of the Prohibition Era

Part of the fun of researching 1920’s and 1930’s Queer subculture in New York City was coming across a wide variety of specialized slang and coded terms that flourished among homosexual men and women of the time.  Some of these … Continue reading

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THE SPEAKEASY INTRODUCTION – A fantastical musical of Prohibition era NYC Queer life.

The following is the official introduction/synopsis for Speakeasy. While you read it, you may want to listen to the Wonderland’s Master of Ceremonies Chet Cheshire sing the Speakeasy opening number: (If you are “greedy” and want to listen to more … Continue reading

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THE FIRST “NOTES FROM A COMPOSER“ BLOG POST … Or Why am I doing this, really, why?

Why am I starting this blog? Did I really have this great need to share my views on the arts in general, music and theater in particular, and my own experience in creating music theater very particularly? Um, actually no, … Continue reading

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