The Homes of Pompeii

Post 2 of the Pompeii Series

In the first post we explored the streets of Pompeii, with the temples, the Forum, the amphitheatres, bathhouses and the Coliseum.

This time we will look at the homes of the inhabitants of Pompeii. The homes of the wealthy and the less well off stand generally side by side all districts of the city (with some very grand estates situated in the suburban area to the West). Unfortunately the more humble homes are mostly only preserved in the bare outlines of what is left of their walls. However in many grand homes much resplendent detail has been preserved for later centuries to uncover under the volcanic ash.

These pictures will start with the humbler ruins, starker examples of indoor spaces, then move up the socioeconomic ladder to the better preserved, more elegant homes and gardens of Pompeii’s upper class. We’ll then take a more detailed look at the many wall paintings that covered every inch of the homes of the wealthy.

In some homes plaster casts of Vesuvius’ victims were displayed in the very spots where they originally fell. Again, these are not the actual bodies of the dead, but the hollows they left behind after decomposing in the volcanic ash that covered them. However some actual skeletons are also displayed.

The mosaic equivalent of the front door welcome mat.

The entrance mosaic into the home of someone whose wealth was likely made via the sea.

Many front entrance mosaics feature guard dogs. “Have” is the Oscan version of “ave”, meaning hello/goodbye.

The guard dogs (and museum barriers) kept us from entering these particular homes, but the camera’s zoom does allow for closer inspection of the spectacular floors of this home with the more alert and chained mosaic guard dog.

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The Streets of Pompeii

Post 1 of the Pompeii Series

Pompeii.

I wrote a song about it (for my Mark Twain musical) long before I finally visited it this April.

And now finally I am posting my blog piece about the visit – blog pieces, because there is just too much to show to fit in one blog piece alone.

In this post I will focus on the streets of Pompeii, including the main public spaces. The Forum, temples and baths, the amphitheatres and Coliseum. And the victims.

Further posts will take us into the homes of Pompeii, show off more of its art, and also take us to Herculaneum, the other city buried by the devastating volcanic eruption of Mount Vesuvius in October, 79AD.

A panoramic view of Pompeii and environs, concluding with the culprit who did her in all those years ago…

Pompeii today is the largest museum in the world, a museum encompassing all of the ancient city limits as well as some of its old suburban areas. Since the late 18th century more and more parts of Pompeii (and Herculaneum) have been unearthed. What has been laid bare so far is overwhelming (like I said, far too much for just one blog post). It took us a whole day to explore all of Pompeii that’s available for viewing on site. That said I would estimate that about a third of the city’s ruins still lie buried under volcanic earth.

Mount Vesuvius, the ancient killer.

The tower from which these first photos and the video were taken.

The ancient road road leading from the tower.

That same road, with much of Pompeii, and in the background modern Italy.

However, modern day museum visitors first enter Pompeii through this tunnel, which back in the day led directly to the ocean – the ocean nowadays is a kilometer or more to the southwest.

A main thoroughfare.

Below, you can see the deep grooves centuries of chariot wheels made in the stone roads, specifically where they maneuvered between the stepping stones. The stepping stones were there for ancient Roman pedestrians to safely step across the roads during their daily wash – apparently the roads were flooded with water daily to get rid of dirt (all those chariots, all those horses, all that … muck…). Romans wore sandals, not galoshes…

The roads and the stepping stones were precisely measured out. Main thoroughfares would be three stepping stones wide – other roads would be two stepping stones wide. The narrowest roads – one way streets for chariots – would have only one stepping stone between the sidewalks. Chariots were regulated to make sure their wheels were always the same width apart, which in turn determined the width of the streets and the size and placement of the stepping stones.

The Forum

Jupiter’s Temple. One of the few structures where any part of an upper story is still standing. When Vesuvius first erupted the prevailing winds sent so much ash towards Pompeii over the course of a day that the roofs collapsed. That is why very little above the first floor is recoverable in Pompeii – unlike in Herculaneum which was spared that first day-long ash cloud but not the pyroclastic flow, a fast-moving current of hot gas and matter, that followed it. That deadly explosion swiftly killed whoever was still in both cities. It was quickly followed by massive amounts of ash that completely covered – and preserved – what was left of Pompeii and Herculaneum.

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P&P @ GUTTERCAST

“The Pit and the Pendulum – a musicabre”

screens for free on-line this Saturday

courtesy of GUTTERCAST

Gutterbliss, an art collective in Wilmington, North Carolina, is holding its annual Guttercast film festival at Jengo’s Playhouse in downtown Wilmington this Saturday, August 26th, beginning at 12:30pm, during which “The Pit and the Pendulum – a musicabre“, my short film musical adaptation of the Edgar Allan Poe short story will also screen sometime in the afternoon.

For those not near Wilmington, the program will also be available for free on-line. As the Gutterbliss crew announces:

If you can’t make it to the in person event, join us on our website for a live stream of the entire event! All of the films included in the stream will be completely free to ensure access for anyone and everyone, no matter who you are or where you live, you’ll be able to watch this splendid collection of short and feature length films from around the world.

I’ll update this post as I get more information.

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HAUNTED HOUSE FEARFEST Nomination

The Pit and the Pendulum – a musicabre

has been nominated for

Best Horror Short

by

Haunted House FearFest

Haunted House FearFest

will take place October 6 and 7

at The Midnight Theatre

at 75 Manhattan West Plaza

in Midtown Manhattan

(watch this blog for updates)

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Looking Through Leaves From My Lawn Chair

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Return of my own personal NEW YORKER CARTOON captions

And we’re back! The New Yorker chose not to include any of my first six suggestions as a finalist in their “make up your own cartoon caption” contest.

And they haven’t chosen any of these either. So the sequel apparently is as good as the original; how often can you say that?

(There’s a sentimental attachment to that one, of course.)

(admittedly you may need to be bilingual to get that last one…)

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Watch “OPERA KIDS”, now on-line

“Opera Kids”, a documentary about “Creating Original Opera” a performing arts program I was part of defining, teaching and implementing in schools, in one form or another for over three decades, is now playing (for free) on-line on ALL ARTS (created by the WNET group).

Click here to watch

Max Sturm an opera kid himself before growing up to become a documentary filmmaker and making this film. I show up for a little bit in the doc, along with many colleagues I’ve worked with over the years. We are the talking heads and give context about the program, but the film wisely focuses mostly on the kids themselves creating and producing their own original opera.

I wrote a lot more about the film and “Creating Original Opera” here.

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VISITING VAN GOGH’S CYPRESSES

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A VIEW

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P&P @ LAIFF

“The Pit and the Pendulum – a musicabre”

screens on-line for 3 days via the

Los Angeles Independent Film Festival

You can watch “The Pit and the Pendulum – a musicabre” – and many other films – on-line via the LAIFF by going to this link and using the festival access code:

ACCESSLA

You will find my musical Edgar Allan Poe adaptation in Official Selections Streaming Block #2. It will play in the end of the program (you may skip ahead…).

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NAPLES’ GALLERIA UMBERTO

One particularly photogenic part of Naples, Italy – worthy of its own little blog post – is the Galleria Umberto 1. It is a public shopping gallery with apartments built 1887-1890 across from the opera house, and named after the then reigning king of Italy. From Wikipedia:

“The Galleria is a high and spacious cross-shaped structure, surmounted by a glass dome braced by 16 metal ribs. Of the four iron and glass-vaulted wings, one fronts on via Toledo (via Roma), still the main downtown thoroughfare, and another opens onto the San Carlo Theatre. It has returned to being an active center of Neapolitan civic life after years of decay. The building is part of the UNESCO listing of the Historic Centre of Naples as a World Heritage Site.”

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Ruin 12 Operas with 1 Letter

La Triviata

Famous beauty ruins her lungs while playing Trivial Pursuit.

CARMEX

The Habanera declares that “L’Ipgloss est un oiseau rebel” when beeswax falls for menthol who then runs away with camphor.

The Magic Klute

After surviving the Fire and Water trials, Pamina and Tamino face the Film Noir trial.

The Frying Dutchman

You’d be a moody ghost too if you had to spend eternity making deep-fried Bitterballen.

NORMY

Widely recognized as the most dull opera there is…

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On the EDGE

The tallest building in the Hudson Yards – also the 6th tallest building in New York City or 8th tallest in the United States – boasts The Edge, a viewing platform on the 101st floor.

Above is a shot I took from 34th street – the particles in the air from Canadian wildfires – it was a “moderate air quality day” unsuitable for asthma sufferers – contribute to the hazy look both of the building from the street and the views of the city from the observation deck. Below the picture in the Wikipedia entry shows the building in clear blue skies not marred by the devastations wrought by Climate Change.

Our friend Mitch suggested we check out the views from the Edge. 3X $50 for timed tickets purchased the experience last Saturday.

After passing through ticket control, we joined the line in a large waiting area with a ceiling of thousands of lights representing Manhattan.

Mitch and Ed.

Then we were ushered through a passage past building support columns lit up like at a dance club.

This long, often stalling line before being let into the elevators up to the platform had us waiting for over thirty minutes – as if for a popular ride at an amusement park. We waited the longest time in this area pictured below that simulated the noise and traffic of a busy subway station – which may be a novelty attraction for tourists (?), but to us natives at least was a nerve grating area to be stuck in for so long. What was the point of timed tickets if it still takes so long to get in, or up? We were beginning to sour at the experience…

Finally we got up to the upper story of two that connect to the outdoor viewing platform of The Edge (as well as hosting an overpriced restaurant).

The Upper West Side in the Canadian Haze.

Looking East towards the Empire State Building.

First view from above out at The Edge observation deck.

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P&P at the JERSEY SHORE

“The Pit and the Pendulum – a musicabre”

screens Sunday, July 2, 7:30pm

at the Jersey Shore Film Festival

I can’t guarantee that Snooki or The Situation will be present, but Ed and I will be spending our Sunday at the Jersey Shore, specifically at the screening of my Edgar Allan Poe musical adaptation “The Pit and the Pendulum – a musicabre“, playing Sunday, July 2, 7:30 pm as part of the “Shorts Collection: The Sweet Taste of Freedom” of the Jersey Shore Film Festival, screening at the Film Salon, 100 Grant Avenue in Deal, NJ.

Hope you can join us.

For the sun and fun before, the Pit and Poe during, and the Q&A after.

UPDATE: P&P won Best Original Score for a Short Film at the festival.

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MANHATTAN PRIDE ’23

Up Close at the 2023 New York City Pride Parade

– Watching and Marching –

Getting ready at home (my head still wet from the shower)…

She said we were a “cute couple”…

Our vantage point for the first three hours of the parade – East 22nd and 5th ave.

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SOCCER MAD NAPLES

Last April Ed and I attended the Robinson Film Festival in Naples, Italy. Naturally in addition to picking up two awards for “The Pit and the Pendulum – a musicabre” we found some time to do some exploring.

On our first stroll out in Napoli, we noticed blue and white banners everywhere. Since it was the day before Easter, we initially assumed the decorations were in honor of that High Holy Day…

But we soon learned that white and blue are the colors of the Naples soccer team. And they were leading the national league this year, so the city was festooned in celebration.

So in this first blog post on Naples I will focus on how the colors of S.S.C. Napoli dominated much of the cityscape.

With images of dearly departed Maradona far outnumbering those of all other players combined.

Maradona has already been beatified as far as Neapolitans are concerned. Certainly there were more street shrines to him than anybody else. (Pope? What pope?)

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