Tag Archives: The Boyfriend

HAPPY SONGS FOR DARK TIMES #4: The “HAPPY” Happy Songs

If I was hopeful that the dark times might brighten after the Orange Menace was evicted by the people, well, those hopes look if not dashed, surely bruised and battered on the floor. Homegrown fascism and bigotry have only more … Continue reading

Posted in Live! On Stage, Melodies Linger On, Notes in the News | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

WEDDING MUSIC – 25 Years Together, 20 Years Married

“So, where did the two of you meet?” we are often asked. “In the back of a Greyhound bus,” we respond by rote, and await the inevitable follow up question. It was exactly 25 years ago, April 25, 1993, on … Continue reading

Posted in Beginnings, Melodies Linger On | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

NfaC Double Repost: BREAKING INTO SONG IN MUSICALS

Time for another Notes from a Composer rerun, or repost, this time a double feature from last April on the convention of breaking into song in musicals, and how cleverly the movie version of Cabaret subverted that convention.  This post … Continue reading

Posted in Cinema Scope, Melodies Linger On, The Speakeasy Chronicles | Tagged , , , , , , , , , , , , , , , , , , | Leave a comment

How Cabaret circumvented the “characters breaking into song” musical trope

When people who say they hate musicals explain why they hate musicals they usually fall back on this well-worn reason: it is unrealistic that characters just break into song and dance; this doesn’t happen in “real life”.  I find this … Continue reading

Posted in Cinema Scope, Melodies Linger On, The Speakeasy Chronicles | Tagged , , , , , , , , , , , , , | Leave a comment