Follow me on Twitter
My TweetsCATEGORIES for all posts
- Arts-a-Poppin' (71)
- Beginnings (52)
- Chamber Works (24)
- Cinema Scope (96)
- LGBTQ Alphabet Soup (76)
- Literary Lyricism (38)
- Live! On Stage (67)
- Melodies Linger On (124)
- Musicabilia (55)
- Notes in the News (124)
- The Speakeasy Chronicles (78)
- The Teaching Artist (29)
- Two-fisted Touristing (87)
Archives
- December 2019 (4)
- November 2019 (10)
- October 2019 (4)
- September 2019 (5)
- August 2019 (5)
- July 2019 (5)
- June 2019 (5)
- May 2019 (5)
- April 2019 (5)
- March 2019 (4)
- February 2019 (5)
- January 2019 (4)
- December 2018 (4)
- November 2018 (4)
- October 2018 (5)
- September 2018 (6)
- August 2018 (4)
- July 2018 (6)
- June 2018 (4)
- May 2018 (5)
- April 2018 (4)
- March 2018 (4)
- February 2018 (3)
- January 2018 (5)
- December 2017 (4)
- November 2017 (4)
- October 2017 (5)
- September 2017 (3)
- August 2017 (4)
- July 2017 (5)
- June 2017 (7)
- May 2017 (4)
- April 2017 (8)
- March 2017 (6)
- February 2017 (7)
- January 2017 (8)
- December 2016 (5)
- November 2016 (8)
- October 2016 (7)
- September 2016 (6)
- August 2016 (8)
- July 2016 (10)
- June 2016 (10)
- May 2016 (6)
- April 2016 (7)
- March 2016 (10)
- February 2016 (13)
- January 2016 (10)
- December 2015 (12)
- November 2015 (11)
- October 2015 (11)
- September 2015 (8)
- August 2015 (10)
- July 2015 (10)
- June 2015 (13)
- May 2015 (9)
- April 2015 (10)
Blogroll
- Ashkenasi You Tube Channel Videos of excerpts from several of Ashkenasi’s musicals
- Speakeasy Songs Soundcloud demo recordings of songs from the musical “Speakeasy”
- Follow Notes from a Composer on WordPress.com
Notes from a Composer
“Speakeasy” Selections
Tag Archives: Professor Marston and the Wonder Women
LGBT is Thrown Around All the Time, But Where is the “B”?
Notes from the “BiView: Bisexual Representation in Media Panel” at NewFest2017 October 21st I attended the panel discussion on Bisexuality in the Media, the first of its kind at a NewFest/Outfest film festival. Moderated by bisexual activist and journalist Eliel … Continue reading
Posted in Cinema Scope, LGBTQ Alphabet Soup, Notes in the News
Tagged 13, Alexandra Bolles, biphobia, biplus, bisexual, Bob's Burgers, Callie Torres, David J. Cork, Denarii Grace, Eliel Cruz, GLAAD, Grey's Anatomy, House, How To Get Away With Murder, Insecure, LGBT, LGBTQ, media, NewFest, Olivia Wilde, polyamory, Professor Marston and the Wonder Women, Queer, Sara Ramirez, Studio Responsibility Index, Taylor Behnke, The Bold Type, Wonder Woman
Leave a comment
QUEER NARRATIVES at the MOVIES
NewFest 2017 Feature Length Dramas: After Louie – God’s Own Country – Against the Law – My Son is Gay – Discreet – The City of the Future – Professor Marston and the Wonder Women Last year I saw only … Continue reading
Posted in Cinema Scope, LGBTQ Alphabet Soup
Tagged 2017, After Louie, Against the Law, Alan Cumming, Alec Secareanu, Angela Robinson, Anthony Johnston, Bella Heathcote, Best International Narrative, bisexual, Brazil, Cinema, Claudio Marques, Daniel Mays, David Drake, Discreet, Everett Quinton, Francis Lee, God's Own Country, India, Johnny Mars, Josh O'Connor, Jury Award, Justin Vivian Bond, LGBT, LGBTQ, Luke Evans, Marilia Highes Guerreiro, movies, My Son is Gay, NewFest, Peter Wildblood, Professor Marston and the Wonder Women, Rebecca Hall, Richard Gadd, Tamil, The City of the Future, threesome, Travis Mathews, Vincent Gagliostro, Zachary Booth
Leave a comment