“The Pit and the Pendulum – a musicabre”
wins awards for
Best Musical Performance
Best Original Score
Best Production Design – Short
at the
Skiptown Playhouse International Film Festival
in Los Angeles
The top picture is me sitting with the three framed awards “The Pit and the Pendulum – a musicabre” won at the Skiptown Playhouse International Film Festival in Los Angeles Sunday night.
I’ll get to that, but let’s rewind a bit, and start at last Saturday’s screening for my musical short film adaptation of the classic Edgar Allan Poe story.
I arrived at the Skiptown Playhouse just off Melrose Avenue in East Hollywood about 10 minutes before the screening of the shorts block that included “The Pit and the Pendulum – a musicabre”, having touched down at LAX only a few hours earlier. As you can see, the Skiptown Playhouse gives off a very Indie Burlesque-chic / Downtown vibe, something this New York off-off-Broadway veteran is very comfortable with. The film festival featured a high quality selection of Indie shorts and features from filmmakers from all over the world. Many came from even further away than New York, like Montreal, London, Barcelona, Amsterdam, Rome …
The couple in front of me, I later learned, came from Amsterdam. I quietly and surreptitiously sneaked a few shots from the beginning of P&P’s screening, including of the logo of Ed’s and my production company, and my first scene…
At the conclusion of my Edgar Allan Poe musical, one woman blurted out “Wow!”, which felt even better than the applause. We met later and hit it off very well (not only because she liked P&P so much) – her feature film ended up sweeping the feature length film awards in the festival – I’ll share more on all that further down this post.
After “The Pit and the Pendulum – a musicabre” concluded that screening block of shorts I got up on stage for a Q&A with two fellow filmmakers who shared the bill; at left Jean-Luc Servino, all the way from Rome, who presented his whimsical short “I Fell in Love with a Balloon”; and next to him Will Grave, from London, whose achingly lovely “The Last Jack O’ Lantern” required the carving of something like 90 pumpkins to produce. All our films rely heavily on music.
The next day I participated in an Actor’s Panel. That’s Olga Montes next to me. She’s the “Wow!” lady. Her husband and co-star in the movie Scarpedicemente, John Vamvas, is at right.
Notes from a Composer 